Neuronal responses to the DRC stimulus used to estimate PRF and CGF structure in awake mice.
A. Signal power normalized by noise power (SNR) for neuronal responses to the DRC stimulus, for all units that qualified for further analysis given our selection criteria (see text). Units are sorted in order of ascending SNR. Single units are shown in red, multi-units in blue. B. Spectrographic reresentation of the final 1.5 s of the 45-s-long DRC stimulus used. Each shaded rectangle represents a 20-ms tone pulse, with darker shades corresponding to louder tone pips (see colorbar). C-F. Trial-by-trial spike rasters (top) and histograms of spiking rate (bottom), describing the responses of four example units to the DRC excerpt in B. Histogram bins are aligned with the 20-ms chords of the DRC. Units were taken from a point in the distribution in A indicated by the arrows. Time is shown relative to the beginning of the stimulus for the trial. G. Example PRFs (left) and CGFs (right) for three different units (each row is one unit). Yellow and cyan areas in the PRFs represent excitatory and inhibitory regions of the time-frequency receptive field respectively. In the CGFs, axes are time offset and frequency offset relative to a “target” tone represented by the notch at τ=0 and ϕ=0, which can be any tonal element in the DRC stimulus. Red and blue areas in the CGF indicate amplifying or dampening effects (respectively) of acoustic energy at that relative position on the gain of the neuron’s response to a target tone. In other words, the CGF depicts modulation of neuronal responsiveness by sound combinations, as a function of time and frequency differences between the tonal elements in the combinations. H. Average CGF across all units and animals (center). For units recorded across multiple days, we included in this average a single CGF estimated from all the available data for the unit. Line plots along margins show: (left) gain profile as a function of frequency offset between tone pips, averaged across time offsets; (bottom) gain profile as a function of time offset between tone pips, averaged across frequency offsets; and (right) gain profile as a function of frequency offset for the 0–20-ms time-bin alone (i.e., for near-simultaneous tone pips). Error bars indicate standard error of the estimated population means.